I was asked to review Dawning of the Dead from the TERROR DAVES’ site, and I typed in BOLD letters “you had me at ZOMBIE APOCALYPSE!” This film has a well thought-out story line with great special effects and some great acting. I will say though that over the last few years there have been more misses than hits in this genre and I am glad to say this film falls into the latter. The director did a great job showing the global scale of a zombie apocalypse and there are many nods to the George Romero zombie classics. Improvised weapons harken to memories of Peter Jackson’s Dead Alive (1992) as well.
The Daves would like to once again welcome Brandon Engel to this site with his continuing retrospectives, this time covering Italian zombie films!
Zombies have long captured the attention of horror movie fans worldwide. George A. Romero, director of Night of the Living Dead, may have started modern zombie madness, but Italian directors offered unique twists with their own contributions to the genre.
If you dig seventies exploitation movies, and you haven’t seen many international releases, you’d be wise to scope out vintage Italian zombie films, particularly those directed by guys like Lucio Fulci and Jorge Grau. Here are the top five Italian zombie movies.
After spending most of our first night at the Fright Night/Fandomfest standing in lines we decided it was time to make our pilgrimage back to the main hotel and check out the dealer rooms they had there. There were two main areas for vendors; the Kentucky Convention Center where the big celebrities and photo ops were (which featured more comic book related items) and the hotel which centered more on horror.
It’s another episode of Terror on Tequila featuring Terror Dave Fuentes and Jason Lucas…Bartender of the Dead! Today we’ll be doing our first show dedicated to ZOMBIES! Yes, these undead flesh-eaters have contaminated virtually every facet of our popular culture with little sign of slowing down! Today we’ll delve into three zombie films that couldn’t be more different from one another.
Alex and I quickly navigated through crowds of monsters and maniacs as we made our way from Svengoolie’s signing to the The Nightmare on Chicago Street’s main stage. I’d forgotten my map but one needed only a pair of working ears to determine which way to go. Echoing throughout the event was the featured band, “Hairbanger’s Ball” performing 1980’s rock hits. It wasn’t long until I was reunited with my friends amid a cover of Warrant’s “Cherry Pie.”
If you’re a mask collector like me then you have probably been burned on at least one occasion. You ordered a mask or bust out of a catalog or off of a website only to find that when it arrived it looked nothing like the picture you based your mask-buying decision on! The paintjob may be horrible, the hairwork can be falling out or in some cases, the piece was folded up so that it could be put in a smaller box to save on shipping (so that it now has permanent creases across the face). There is nothing worse than spending your hard-earned money, especially in this economy, only to open a box of something you ordered and your only reaction is “What the f**k?” Thankfully most companies, like Morris Costumes, will take a return, but oftentimes, when dealing with an artist directly they get all offended at what your complaint is, making for a very uncomfortable and disasterous situation. Thankfully we have companies like BUMP IN THE NIGHT FX (formerly BUMP IN THE NIGHT PRODUCTIONS).
I have always been a fan of not only monsters but of Halloween. It was only natural for me that in 1985 I combined both loves into a small yard haunt. Each year the display got larger and it eventually got to a point where I had more than 30 people volunteering their time to make sure my haunted yard (known as FRIGHT NIGHT since it was only open on Halloween night) went off without a hitch. It was at this time, in 1989, that I met James Lurgio, another resident of Jamestown, Rhode Island. Unbeknownst to me he was also a fan of monsters and Halloween and after one of my shows he called me and I invited him over to see my collection of masks, props and costumes. We have been friends ever since.