Horror books often find themselves on the silver screen and with mixed results. The Exorcist, JAWS, and The Omen are positive examples of book-to-movies but, unfortunately, for every Misery, there’s a Dreamcatcher. Sometimes the book is inspired by the film rather than its source material but, either way, there’s bound to be differences; subtle or profound. Today’s vintage book discussion is more of a rumble than a review and between one of my favorite John Carpenter films and a book written by Dennis Etchison to promote it. So let’s jump back to 1980 and revisit The FOG…
The Daves would again like to welcome guest writer Brandon Engel with yet another of his insightful blogs!
Zombie movies are plenty scary, and horror films featuring psychos on a rampage are horrific, but there’s one thing that’s even worse: when mother nature gets fed up and doles out some hellish comeuppance. Such movies are increasingly referred to as climate fiction, which combines the horror and sci-fi genres. The scariness lies in the fact that the scenarios presented in these films aren’t far off from becoming reality – ENMAX estimates that in the US alone, only about 20% of our energy needs are met by renewables or cleaner fossil fuels like natural gas; mostly we’re still using energy sources that have been linked to climate change. Here are some cli-fi movies that imagine the consequences of nature truly going wild.
Much like some of the climate phenomena that the world is witnessing today, the villain in the 1982 movie The Thing is hard to describe. This sci-fi thriller starring Kurt Russell was a hit because it maintained its mystery right through to its conclusion. What, exactly, is this thing? Where did it come from? How does it keep turning random guys and dogs into terrifying monsters? No one could answer those questions, but what the survivors did know at the movie’s end is that The Thing would eventually be how they met their end.
The Daves would like to welcome guest blogger Brandon Engel to our site with his insight on the 1974 movie BLACK CHRISTMAS!
Often cited as one of the first true “slasher” films, BLACK CHRISTMAS puts a scary spin on time-honored holiday traditions. When threatening phone calls escalate to the cold-blooded murder of a group of college co-eds, tensions run high and the looming threat of death hangs alongside the perennial mistletoe. The anxious figures of an era – liberated feminists with loose morals, urban legends, restless youth – stamped a template for a new subgenre of scary films.
Terror from Beyond the Daves is pleased to welcome back guest writer, Brandon Engel, for his fascinating perspective on a horror legend.
It’s all about personal taste. It’s easy to understand why audiences are either charmed or repelled by The Wizard of Oz, The Goodbye Girl and E.T.: The Extra-terrestrial. With “slasher movies”, although it’s easy to understand why many viewers reject such films, it’s a little more ambiguous why they attract such large cult followings. What is the appeal? Perhaps, the best way to arrive at the answer is to look at the career of the man who is credited with cementing the slasher movie formula, screenwriter/director/producer John Carpenter.
Next to where the cast members of THE THING reunion were signing, was the amazing THING-FEST! This private collection owned by super-fan, Joe Hart, would feature the largest acquisition of props and memorabilia from the 1982 John Carpenter classic.
Though born and raised in New Jersey (a childhood friend of Kevin Smith), Hart now resides with his wife in Canada. What makes him so exceptional isn’t simply that he’s a fan who’s amassed lots of amazing goods, but that he’s one who willingly shares them with the rest of us. He does this utilizing his own time and resources and, in doing so, enhances the overall experience for everyone; something never more evident than at the Days of the Dead Indianapolis!
Days of the Dead’s THING-FEST; which not only included the largest gathering of actors from John Carpenter’s THE THING but also the biggest collection of props and collectibles, was well worth the trip to Indianapolis in itself. Russ and I are both huge fans of the movie and I’m expressing no hyperbole here when I say we were ECSTATIC to see a convention finally give it some proper attention.
From the film’s first pulse-pounding moments (enhanced even further by Carpenter’s fantastic score), I was captivated by it. And, in keeping with the film’s overall theme of paranoia, I also found myself rooting for the wrong side even before the opening credits had finished. Perhaps my devotion to THE THING is a prime example of how we, as adults, tend to be enthralled by the very things that provoked us as children.
…and seeing a “defenseless” dog getting shot at by a sniper in a helicopter absolutely provoked me.