Sunday morning, I ate some of my leftover pizza for breakfast and hurried over to the Donald E. Stephens Convention Center for the last day of the Chicago Fan Expo. When attending weekend events, it’s unusual for me to stay long on Sundays, as I’ve usually accomplished all of my objectives. Today, however, was a full day, which was more challenging after checking out of the hotel and without my usual sanctuary. Unlike yesterday, I took advantage of my Ultimate pass’ early access in the hopes of getting the Scott Snyder ticket that eluded me then.
Just over a week after returning from my New Jersey trip, I learned of a startling convention announcement. The incomparable Kurt Russell was coming to Chicago and appearing at Fan Expo in my home city. This would be the actor’s first and, according to him, last such appearance. For a genre fan like me, it seemed inconceivable (as did the prices) while setting off every FOMO alarm in my nervous system. For the next 42 hours before his limited (another FOMO-triggering word) tickets went up for sale, I argued with myself about whether I should bite the bullet. Paying $400 for a signature made no logical sense, and the angel on my shoulder argued how stupid it was even to consider it. However, the devil on the other side proved the most influential. This wasn’t just some MARVEL actor or newly minted celebrity but one of my favorite actors of all time. The great McCreedy in The THING (1982), Snake Plisken in Escape from New York (1981), Stuntman Mike from Death Proof (2007), the wisecracking Jack Burton in Big Trouble in Little China (1986), Wyatt Earp in one of my favorite Westerns, Tombstone (1993), and Dean Proffitt from one of only a handful of comedies I’ll rewatch, Overboard (1987). At the end of the day, it wasn’t really a question of whether I would see him, but how to swing it financially. And nearly a month after this event, I’m still swinging!
Horror books often find themselves on the silver screen and with mixed results. The Exorcist, JAWS, and The Omen are positive examples of book-to-movies but, unfortunately, for every Misery, there’s a Dreamcatcher. Sometimes the book is inspired by the film rather than its source material but, either way, there’s bound to be differences; subtle or profound. Today’s vintage book discussion is more of a rumble than a review and between one of my favorite John Carpenter films and a book written by Dennis Etchison to promote it. So let’s jump back to 1980 and revisit The FOG…
The Daves would again like to welcome guest writer Brandon Engel with yet another of his insightful blogs!
Zombie movies are plenty scary, and horror films featuring psychos on a rampage are horrific, but there’s one thing that’s even worse: when mother nature gets fed up and doles out some hellish comeuppance. Such movies are increasingly referred to as climate fiction, which combines the horror and sci-fi genres. The scariness lies in the fact that the scenarios presented in these films aren’t far off from becoming reality – ENMAX estimates that in the US alone, only about 20% of our energy needs are met by renewables or cleaner fossil fuels like natural gas; mostly we’re still using energy sources that have been linked to climate change. Here are some cli-fi movies that imagine the consequences of nature truly going wild.
The Thing
Much like some of the climate phenomena that the world is witnessing today, the villain in the 1982 movie The Thing is hard to describe. This sci-fi thriller starring Kurt Russell was a hit because it maintained its mystery right through to its conclusion. What, exactly, is this thing? Where did it come from? How does it keep turning random guys and dogs into terrifying monsters? No one could answer those questions, but what the survivors did know at the movie’s end is that The Thing would eventually be how they met their end.
The Daves would like to welcome guest blogger Brandon Engel to our site with his insight on the 1974 movie BLACK CHRISTMAS!
Often cited as one of the first true “slasher” films, BLACK CHRISTMAS puts a scary spin on time-honored holiday traditions. When threatening phone calls escalate to the cold-blooded murder of a group of college co-eds, tensions run high and the looming threat of death hangs alongside the perennial mistletoe. The anxious figures of an era – liberated feminists with loose morals, urban legends, restless youth – stamped a template for a new subgenre of scary films.
Terror from Beyond the Daves is pleased to welcome back guest writer, Brandon Engel, for his fascinating perspective on a horror legend.
It’s all about personal taste. It’s easy to understand why audiences are either charmed or repelled by The Wizard of Oz, The Goodbye Girl and E.T.: The Extra-terrestrial. With “slasher movies”, although it’s easy to understand why many viewers reject such films, it’s a little more ambiguous why they attract such large cult followings. What is the appeal? Perhaps, the best way to arrive at the answer is to look at the career of the man who is credited with cementing the slasher movie formula, screenwriter/director/producer John Carpenter.
