Model Monsters at G-FEST XXIV!

On the morning of Saturday July 15th, my son, Luke, and I arrived at the Crowne Plaza in Rosemont, Illinois wondering what to do first. This was the 24th G-FEST (Godzilla Festival) and my 15th. For me, it’s never been just a convention but more a family tradition. Luke’s been to just about every one since he was born (he’s 13 now) and my four kids together have participated in every G-FEST activity imaginable. We’ve submitted models, participated in the costume contest, Luke won first place in the video game room last year and Alex (my eldest) got the blue ribbon in a Kaiju poetry contest when he was six. My kids and I were so entwined with G-FEST that it was actually painful covering it for this site during the years Alex had outgrown Godzilla, as indicative of the three-hanky sob-fest I posted HERE. Apparently my kids, themselves, weren’t immune to it either. My daughter, Jade, who was more or less dragged to these events growing up said that when she saw the end credit scene of Skull Island (where the existence of Rodan, King Ghidorah, and Mothra were revealed) she was flooded with nostalgia over G-FEST.

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“War of the Gargantuas” turns Fifty!

war of the gargantuas

Quentin Tarantino called it the “perfect giant monster movie,” Tim Burton sites it as one of his all-time favorite films, and Brad Pitt recalled at an Academy Awards Ceremony it being the first movie he ever remembers seeing. Sometimes referred to as TOHO Studio’s “Kane and Abel” story, the beast vs beast opus I’m referring to is none other than War of the Gargantuas or, as it was referred to in its native Japan, Furankenshutain no kaiju: Sanda tai Gaira. If that title conjures up images of a certain classic Universal monster, that’s no accident. This movie began as a direct sequel to TOHO’s Frankenstein Conquers the World before taking on a persona of its own. In July of 2016, exactly fifty years from its release, fans at G-FEST (Godzilla Festival) in Chicago paid homage to this often overlooked giant monster masterpiece and I wanted to share some of those highlights.

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G-FEST XXIII and the Many Faces of Godzilla!

gfest-xxiii

Last month I attended Chicago’s G-FEST (Godzilla Festival) for the thirteenth year in a row – a lucky number for me as it marked the return of my eldest son, Alex, to the Godzilla fold. Back in 2004, when we first started attending, he was a six year old Godzilla-obsessed kid who’d later anticipate this event more than Christmas itself. That is, of course, until puberty reared its ugly head and whisked away all love of dinosaurs, spaceships, and the “King of Monsters” in favor of hanging with peers and militaristic video games like Call of Duty. Needless to say, I was taken aback when he requested to join my youngest son, Luke, and I for this year’s event. I’m thinking it might be his way of seeking past childhood comforts before he leaves for the Air Force Academy next month. Whatever the reason, it was great having him back as the Fuentes headed to Rosemont.

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Sonorama Art featuring Giant Japanese Monsters!

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I remember growing up in ‘70s and having my own small turntable complete with a collection of “Disneyland Records.” These were usually the smaller 45 varieties that would recount the studio’s animated features and accompanied with a storybook that helped you follow along. You’d be signaled to turn the page whenever you heard Tinkerbell’s chime (or something like that). They helped see me through many a rainy day but, had I grown up on the other side of the Pacific, I’d of been far more enthusiastic for shut-ins! This realization hit me during one of the last forums I attended during G-FEST XXII when I learned that children growing up in Japan also had records and stories; only theirs featured Godzilla, Gamera, Ultra-Man, and just about every other kaiju imaginable!

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