After a long and busy Saturday at Horrorhound Weekend, Brian and I relaxed and ordered dinner in our room. While it’s rarely a positive experience for any Chicagoan to order pizza outside of city limits, this was the perfect food choice when one planned on following it up with copious amounts of alcohol. Saturday nights at Horrorhound were notorious for their raucous all night gatherings…and this year I was determined to join their party! Afterwards, I headed outside for some air and met a guy in the lobby who pulled out a mason jar that looked as if it were half full of motor oil. “Want some moonshine?” he asked.
I smiled but hesitated. It had only been the week before on St. Patrick’s Day when I’d indulged in another home-made concoction with my fellow pod-caster, Jason, resulting in a drunken argument between us. I’m batting a 1,000 with friends these days, folks! Please check out the “Podcast” link at the top of this page to hear our first (and possibly final) eight episodes of Terror on Tequila!
If you are a mask collector then more than likely you have heard the name David Lady at least once (and more than likely you actually know him and have either talked to him on the phone or have e-mailed with him). When I first became aware of David it was in the late 1980’s. At the time the big mask companies were Don Post Studios, Distortions Unlimited and Be Something Studios. Though I bought masks from all 3 companies, a trend was starting to develop where what you got greatly differed from what you were ordering from their catalogs. So, I started to look for other options and found companies like Death Studios and one of my all time favorites, the now defunct House Of Horror Studios. In my quest to find better quality masks I came across a group called The Halloween Society. This society, run by Ron Magid, Dante Renta, Guy Thorpe and yes, David Lady, introduced me to a whole new area of collecting…an area I was unaware of. Apparently there were artists out there creating limited edition masks and busts of all of the great monsters I grew up on and it was through The Halloween Society’s magazine “The Halloween Gazette” that I started to see these pieces being offered.