Zombie Vs. Shark!? Top 5 Italian Zombie Movies by Brandon Engel

The Daves would like to once again welcome Brandon Engel to this site with his continuing retrospectives, this time covering Italian zombie films!

Zombies have long captured the attention of horror movie fans worldwide. George A. Romero, director of Night of the Living Dead, may have started modern zombie madness, but Italian directors offered unique twists with their own contributions to the genre.

If you dig seventies exploitation movies, and you haven’t seen many international releases, you’d be wise to scope out vintage Italian zombie films, particularly those directed by guys like Lucio Fulci and Jorge Grau. Here are the top five Italian zombie movies.

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Zombie Films: Has George Romero lost his Bite?

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I have always been a fan of George Romero…ever since I was old enough to see his zombie masterpiece, DAWN OF THE DEAD (1979). After viewing both NIGHT OF THE LIVING DEAD (1968) and DAWN on videocassette I actively sought out other movies by the master of horror. Films like MARTIN (1976), THE CRAZIES (1975) and of course CREEPSHOW (1982) and DAY OF THE DEAD (1985) were always a lot of fun to me.

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2010 Indianapolis Horrorhound Weekend: A Zombie Paradise!

Horrorhound Weekend 2010

Last March, I attended my first (but definitely not last) Horrorhound Convention. As mentioned  in my previous post, Horrorhound Magazine definitely ranks as one of my favorites. Like FANGORIA, they sponsor their own conventions too – attracting some very impressive guests! For the past few years, Horrorhound has done two conventions annually; one in Indianapolis (March) and another in Cincinnati (November).

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Something About Fangoria…

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It’s taken me a while to build up the strength to do it, but I have finally allowed my FANGORIA subscription to expire. I tend to be a loyal kind of a guy, often to a fault, and my relationship with this magazine was clearly becoming dysfunctional.

Back in the 1980’s it was edgy and one of the few periodicals unafraid to show a gore fan, like myself, the “good stuff.” Not merely content with graphic photographs, the magazine often had pull-out posters worthy of their own “NC-17” ratings. When placed on your wall, they were guaranteed to not only startle any adults that wandered into your teen-aged sanctuary but also help secure your status as a bad-ass among your peers.

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