Like many monster kids I grew up with the magazine Famous Monsters of Filmland. One of my favorite aspects of this magazine were the Captain Company ads that appeared in the back, showcasing so many cool monster toys and collectibles. One ad in particular always drew my attention; it was the one for Don Post Studios masks. My favorite has always been the Grey Timberwolf but at the time I couldn’t afford one so all I could do each month was look at the ad and dream.
The last convention The Daves attended together was New England’s “Rock & Shock” back in October. One of the highlights of that event was the opportunity to meet Adrienne Barbeau (see full details HERE) as she was a key player in one of my all-time favorite films, THE FOG.
The 2011 Indianapolis Horrorhound Weekend provided two more celebrity encounters from that iconic film; Tommy Lee Wallace & Tom Atkins. The Daves meeting the Toms was one of our top Horrorhound priorities! Aside from THE FOG, both men have been involved in many other iconic horror films from the 1980’s (our teenage years). This was also the golden age of slashers as well as a prolific period in the horror genre itself.
If you are a mask collector then more than likely you have heard the name David Lady at least once (and more than likely you actually know him and have either talked to him on the phone or have e-mailed with him). When I first became aware of David it was in the late 1980’s. At the time the big mask companies were Don Post Studios, Distortions Unlimited and Be Something Studios. Though I bought masks from all 3 companies, a trend was starting to develop where what you got greatly differed from what you were ordering from their catalogs. So, I started to look for other options and found companies like Death Studios and one of my all time favorites, the now defunct House Of Horror Studios. In my quest to find better quality masks I came across a group called The Halloween Society. This society, run by Ron Magid, Dante Renta, Guy Thorpe and yes, David Lady, introduced me to a whole new area of collecting…an area I was unaware of. Apparently there were artists out there creating limited edition masks and busts of all of the great monsters I grew up on and it was through The Halloween Society’s magazine “The Halloween Gazette” that I started to see these pieces being offered.