Former Marvel editor, Tony Isabella, joined artist, Mark Maddox, for a G-FEST XXIV panel discussion on giant monster films outside of Japan – specifically Gorgo, Kongo, and Reptilicus. This would be the last panel I’d attend at this event and would also prove one of the most entertaining! The following are highlights from the panel…
We’re now officially kicking off our annual countdown to the 2017 MASK-FEST convention taking place alongside Horrorhound Weekend in Indianapolis! When Halloween masks get the spotlight, you know that Halloween can’t be far behind. In that regard, this event serves as pre-game for our favorite season as it looms ever closer. Imagine a large ballroom filled with artists and their latest spine-tingling monsters, slashers, and zombies. Some depict those on the Silver Screen while others from their own warped imaginations. I’ve been attending these for several years now and they keep getting better and better. So hopefully these next few Fridays will inspire you to come out and see the newest batch for yourself!
With Japan’s release of Shin Godzilla not long after the success of Legendary Studio’s Godzilla (G14), many wonder how the two stack up against one another. During the recent G-FEST XXIV, a panel titled “Shin vs Legendary” led by Ira Taborn compared and contrasted the two films that have much more in common than you might think. Let’s break it down…
Shinji Higuchi is a talented anime’ & SPFX artist who began his career with giant Japanese monsters as an uncredited assistant in Godzilla 1985. He’d later prove himself a master at his profession in the Gamera trilogy as well as a host of other projects before finally returning to Godzilla in 2014. After the success of Legendary’s Godzilla a contractual loophole meant TOHO Studios had a small window to legally create another film with their prized monster. Higuchi would helm the new Shin Godzilla’s design as well as the films SPFX, garnering him the Japanese equivalent of an Academy Award. Shin Godzilla (Godzilla Resurgence) would prove a critical and box office success in Japan while receiving mixed reactions from Godzilla fans in the United States. Higuchi was the guest of honor at G-FEST XXIV where he participated in an interview panel that Saturday. The following photos and narrative were taken from that event…
Artists Alley is an entire room at G-FEST dedicated to selling original works created by some incredible talents. My son, Luke, and I both commented how much its evolved over the years, going from a handful of artists to filling out an old restaurant at the Crowne Plaza. Since my other son, Alex, was in the military I wanted to pick up a print for his apartment. I had no idea how tough it would be settling on just one! I picked up a Shin Godzilla drawing done by Eric Schuster who was happy to also sign it for him.
On the morning of Saturday July 15th, my son, Luke, and I arrived at the Crowne Plaza in Rosemont, Illinois wondering what to do first. This was the 24th G-FEST (Godzilla Festival) and my 15th. For me, it’s never been just a convention but more a family tradition. Luke’s been to just about every one since he was born (he’s 13 now) and my four kids together have participated in every G-FEST activity imaginable. We’ve submitted models, participated in the costume contest, Luke won first place in the video game room last year and Alex (my eldest) got the blue ribbon in a Kaiju poetry contest when he was six. My kids and I were so entwined with G-FEST that it was actually painful covering it for this site during the years Alex had outgrown Godzilla, as indicative of the three-hanky sob-fest I posted HERE. Apparently my kids, themselves, weren’t immune to it either. My daughter, Jade, who was more or less dragged to these events growing up said that when she saw the end credit scene of Skull Island (where the existence of Rodan, King Ghidorah, and Mothra were revealed) she was flooded with nostalgia over G-FEST.
Terror from Beyond the Dave 