We’re now officially kicking off our annual countdown to the 2017 MASK-FEST convention taking place alongside Horrorhound Weekend in Indianapolis! When Halloween masks get the spotlight, you know that Halloween can’t be far behind. In that regard, this event serves as pre-game for our favorite season as it looms ever closer. Imagine a large ballroom filled with artists and their latest spine-tingling monsters, slashers, and zombies. Some depict those on the Silver Screen while others from their own warped imaginations. I’ve been attending these for several years now and they keep getting better and better. So hopefully these next few Fridays will inspire you to come out and see the newest batch for yourself!
Author Archives: Dave Fuentes
Shin vs Legendary Studios Godzilla!
With Japan’s release of Shin Godzilla not long after the success of Legendary Studio’s Godzilla (G14), many wonder how the two stack up against one another. During the recent G-FEST XXIV, a panel titled “Shin vs Legendary” led by Ira Taborn compared and contrasted the two films that have much more in common than you might think. Let’s break it down…
Shinji Higuchi & the Rise of Shin Godzilla!
Shinji Higuchi is a talented anime’ & SPFX artist who began his career with giant Japanese monsters as an uncredited assistant in Godzilla 1985. He’d later prove himself a master at his profession in the Gamera trilogy as well as a host of other projects before finally returning to Godzilla in 2014. After the success of Legendary’s Godzilla a contractual loophole meant TOHO Studios had a small window to legally create another film with their prized monster. Higuchi would helm the new Shin Godzilla’s design as well as the films SPFX, garnering him the Japanese equivalent of an Academy Award. Shin Godzilla (Godzilla Resurgence) would prove a critical and box office success in Japan while receiving mixed reactions from Godzilla fans in the United States. Higuchi was the guest of honor at G-FEST XXIV where he participated in an interview panel that Saturday. The following photos and narrative were taken from that event…
Exploring G-FEST XXIV!
Artists Alley is an entire room at G-FEST dedicated to selling original works created by some incredible talents. My son, Luke, and I both commented how much its evolved over the years, going from a handful of artists to filling out an old restaurant at the Crowne Plaza. Since my other son, Alex, was in the military I wanted to pick up a print for his apartment. I had no idea how tough it would be settling on just one! I picked up a Shin Godzilla drawing done by Eric Schuster who was happy to also sign it for him.
Model Monsters at G-FEST XXIV!
On the morning of Saturday July 15th, my son, Luke, and I arrived at the Crowne Plaza in Rosemont, Illinois wondering what to do first. This was the 24th G-FEST (Godzilla Festival) and my 15th. For me, it’s never been just a convention but more a family tradition. Luke’s been to just about every one since he was born (he’s 13 now) and my four kids together have participated in every G-FEST activity imaginable. We’ve submitted models, participated in the costume contest, Luke won first place in the video game room last year and Alex (my eldest) got the blue ribbon in a Kaiju poetry contest when he was six. My kids and I were so entwined with G-FEST that it was actually painful covering it for this site during the years Alex had outgrown Godzilla, as indicative of the three-hanky sob-fest I posted HERE. Apparently my kids, themselves, weren’t immune to it either. My daughter, Jade, who was more or less dragged to these events growing up said that when she saw the end credit scene of Skull Island (where the existence of Rodan, King Ghidorah, and Mothra were revealed) she was flooded with nostalgia over G-FEST.
MST3K “Watch out for Snakes” Tour a Riffing Riot!
I purchased my ticket for the MST3K “Watch out for Snakes!” tour about ten minutes after they’d gone on sale. At the time, my trip to New England was winding down and I remember feeling grateful to have something new to look forward to. In addition to the general admission tickets, fans could also choose between two types of VIP passes. After reviewing the details, I opted for the cheaper one…and the operative word here, folks, is cheaper not cheap. When the big day finally arrived, my friend Nikki and I battled Windy City construction before settling in at a parking garage near Chicago’s Vic Theater. Although the garage itself looked as if it were being held together by spit and gum, it was a pretty neat part of the city that I’d never been to before.





