This blog was originally titled “Physical Media’s Last Stand” but I thought it too pessimistic. And when it comes to this topic, there’s plenty of cause to feel that way. The MPAA recently revealed a staggering 50% drop in sales as the rise of Streaming services takes hold. I’m sure I speak for my many of my fellow lazy fans that it’s a lot easier pushing a button than getting of our butts to pop on a disc. However, anyone who’s spent 20 minutes scrolling Netflix only to finally give up in frustration knows that what we like isn’t as accessible as the modern world would have us believe. For horror fans like us, there are plenty of cause for us to continue coveting physical media. In fact, despite the current Blu-ray apocalypse, some of the most amazing upgrades and rare titles are being released – though you may need to look beyond Amazon.com to find them. There are several companies out there fighting the good fight and today, I’ll be highlighting a few of the ones I think are worthy of our support!
With the recent remake of Suspiria, I’ve been rewatching many of my Italian Giallo films. Although this distinct film style originates in Germany, it was the Italians who really took it away, and in no short thanks to Maria Bava and his film The Girl Who Knew Too Much (1963) – a not so subtle nod to Hitchcock. The word “Giallo” translates as “yellow” and was inspired by popular paperbacks that were Italy’s version of American pulp. These murder/mystery novels often featured lurid covers with women being terrorized by a masked killer. Though the stylish influence of Giallo films can still be glimpsed today. e.g. The Neon Demon (2016), their finest examples were in Italy from the mid ’60s to mid-’80s. Rather than just go back and watch my favorites such as Deep Red (1975), The Bird with the Crystal Plumage (1970), Tenebrae (1982), and New York Ripper (1982) I decided to track down ones I’d never seen before. Thanks to Arrow Video and their recently restored issue of Mario Bava’s colorful follow up to The Girl Who Knew Too Much, 1964’s Blood and Black Lace.