The zombie trope gets a 2020s makeover in Shudder’s latest original picture Virus: 32 (2022). This fast-paced horror flick comes to us from Argentina and Uruguay and dropped on the Shudder streaming service this past Friday.
The Stepford Wives: Book vs the 1975 Film!
I was shopping at Half Price Books when I came across a hardcover 1st printing of “The Stepford Wives” published in 1972. Ira Levin’s follow-up to his hugely successful “Rosemary’s Baby” (p. 1967) may not have shared the same level of achievement as its predecessor but made its own cultural impact nonetheless. “The Stepford Wives” is a 145-page, satirical novella touching on the rise of feminism, a woman’s role in the home, as well as their husbands’ fear of losing control. It would inspire two films of the same name: a serious adaptation in 1975 and a more comedic rendering in 2004 starring Nicole Kidman. The first movie even inspired three indirect made-for-TV sequels – Revenge of The Stepford Wives (1980), The Stepford Children (1987), and The Stepford Husbands (1996). Despite receiving mixed reviews, the word “Stepford” has since entered our pop culture lexicon to describe someone acting perfect, phony, or subservient. Having seen both screen versions, I was interested in reading the book and did so in the span of one chilly, Chicago afternoon.
So how does it compare to the 1975 film? Anyone not worried about SPOLIERS can read on and find out…
Physical Media Anonymous: The Art of Double Dipping
I was sharing my physical media collection a couple weeks back and mentioned organizing them alphabetically so that all my copies of a specific title were in a single location. It immediately occurred to me how nutty that must have read to a non-collector and I suppose, logically, it is. Every year I tell myself I’m not going to purchase another release of a film I already own and every year I do exactly that. I’m sure I’m not alone. If any of you fellow super collectors out there have only one release of JAWS (1975). The THING (1982), or Halloween (1978) then pat yourselves on the back because you’re a far stronger person than me.
Andrew Neiderman’s PIN: An Above Average Paperback from Hell
Most of the vintage horror paperbacks in my collection are a lot more fun to look at than they are to read. I should know. I plowed through as many as I could last year before landing myself in a reading rut; fatigued from an overdose of absurd plotlines and bad writing. Lately, I’ve had more success with modern novels while peppering a few old pulpy Paperbacks from Hell in-between. My latest choice, PIN by Andrew Neiderman (1981), proved a pleasant surprise. Despite featuring many of the fantastical elements of your typical ‘80s horror paperback, there are interesting psychological twists as well. Consequently, PIN is more sophisticated than many in its genre.
How I Organize My Physical Media Collection
Back in 2011, I wrote a post about how I organized my DVD/Blu-ray collection. At the time, I kept my discs in large, leather binders; alphabetized for easy storage and retrieval. A lot has changed since then. DVD/Blu-rays have since graduated to Blu-ray/4K’s and the movie hoarder I was ten years ago has since evolved into a more serious collector. For me, it’s no longer just owning a copy of a movie, but also its unique presentation and packaging. And once that occurred, owning a “compact” collection was no longer possible. Easy retrieval, on the other hand, still is. This post is designed to supersede that old blog and show you how I organize my collection today. Please note, I’m not suggesting my methods to be the best nor the most economical. They are, however, what I found works best for me.
A24’s “X” or What Happens when a Slasher gets turned on its head?
Let’s have a conversation about A24 and their latest horror film, X (2022). Since this independent film company began ten years ago, it’s truly made its mark in creating unique entertainment you’ll ponder long after the end credits have scrolled. Consequently, A24 films can, and will, divide their audience. Not everyone is looking for deep, artsy, or often weird experiences when watching a horror movie. Sometimes this is made worse by fellow enthusiasts who respond to A24 criticism with an air of superiority – You say you hated Midsommar? Well, maybe it was just too deep for you? Thereby fanning the flames even further.