Having just seen The Lodgers, I’m convinced of two things: (1) I should spend more time out in the sun and (2) need to quit complaining about my dysfunctional family. The film is Directed by Brian O’Malley, and features twin sister and brother, Rachel (Charlotte Vega) and Edward (Bill Milner) who are virtual prisoners of their family estate. The isolated, Irish countryside alone inspires chills while the film’s dark, psychological components slowly bring things to a boil. Together, they help make The Lodgers much more than your average gothic thriller.
This past month has been something of a rollercoaster ride as my three teens and I moved into a new apartment across town. Almost immediately after signing the lease, we’d spend our evenings after work/school packing and lugging our belongings across town to our new place. It’s been twenty years since I’ve last lived in an apartment and I’d forgotten all that entailed; a hodgepodge collection of neighbors, frightening basement laundry room, and fuzzy “call box” that makes visitors sound like they’re taking orders at a drive-thru. About two weeks into the move, the kids were visiting their mother as I continued the arduous process of moving by myself. After my tenth trip up the stairs, I decided to take a breather and sit in my empty, new living room before making another trip. A few moments later, my silence was broken by the sound of another tenant entering the building and heading to their unit across the hall. At this point, I’d never seen any of my new neighbors with the only evidence of their existence a few scattered cars in the lot. For some reason, the sound of one of them moving about on the other side of the wall put me on edge. Who is this person? What are they like? Are they the friendly kind of neighbor you can borrow a cup of sugar from or the ones that call the cops every time your TV gets too loud? Of course, the obvious solution was to simply open my door and introduce myself but I had a different plan. After digging through a couple boxes I pulled out my copy of the 2007 Spanish horror film, REC – a film that’s not only stood the test of time but supports the idea that tenants are better off keeping to themselves! With only a TV and bookcase in the room, I decided to extend my break and watch it again while lying on the floor.
I was looking over April horror films and made note of a VOD/found footage movie called #Screamers (the hashtag is part of the title). I was surprised when a couple days later the head honcho of terrordaves.com asked if I was interested in reviewing it and enthusiastically dived in!
Though I enjoy ghost tours and ghost stories, I’ve never been a fan of ghost hunting TV shows. It felt like if I’d seen one I’d seen em’ all and there was no way even the most gifted ghoster can capture something on a weekly basis. Despite an open mind, I have little patience for “Wow, did you feel the room suddenly get cold?” or someone claiming they’re nauseous after entering an alleged haunted site. I’m not calling these folks liars or anything, just that these plot devices kill my suspension of disbelief. Continue reading
It’s time for another KILLER review from Terror from beyond the Daves! As many of you know, I’m a “Jason – not a “Dave,” but get deputized everytime an Indie horror film comes his way. Today’s film – Killing Poe, however, doesn’t feel much like an Independent film at all. With a reported $2.5 million dollar budget, I think it safely broke the ceiling of most of the ones I’ve seen but let’s review…
FULL DISCLOSURE: I donated to an online fundraiser to help produce this film. The “thank you” was a producer credit.
I was asked to review Dawning of the Dead from the TERROR DAVES’ site, and I typed in BOLD letters “you had me at ZOMBIE APOCALYPSE!” This film has a well thought-out story line with great special effects and some great acting. I will say though that over the last few years there have been more misses than hits in this genre and I am glad to say this film falls into the latter. The director did a great job showing the global scale of a zombie apocalypse and there are many nods to the George Romero zombie classics. Improvised weapons harken to memories of Peter Jackson’s Dead Alive (1992) as well.