Wrapped up in activities at G-FEST Friday!

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G-FEST 2026 coverage continues…

6:15 am Friday, July 10th 2026 – My son, Luke, and I wake up and get ready for the first official day of G-FEST (Godzilla Festival) 2026. One of the hotel’s house channels is playing Gamera 3: Revenge of Iris (1999), a pretty good kaiju film, and we each watch snippets while the other gets ready.

6:40 am – We head downstairs for the Hyatt Regency O’Hare’s breakfast buffet. The buffet is $25 per person, but we learned that the best way to conquer a full day at G-FEST is to indulge in a “lumberjack” breakfast since we always skip lunch. The food is decent, and they have a chef on hand who will make you an omelet on request. My only gripe is that they used to have really tasty pork sausage links but have since replaced them with chicken sausage, which tastes horrible!

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Thursday is the new Friday at G-FEST

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10 am Thursday, July 9th 2026 – My youngest son, Luke, and I pick up my eldest son, Alex, to kick off this year’s G-FEST (Godzilla Festival) 2026. Technically, this is G-FEST XXXI, but it seems the Roman numerals have been dropped. It makes sense, since COVID screwed up the whole numbering system anyway, but I’m kind of surprised they didn’t do it last year instead of actually going forward with G-FEST Triple X. We kicked off the event by visiting a Japanese market in Arlington Heights, Illinois, called Mitsuwa. I’ve been there before, but this was their first visit. We picked up some Sake’ (this is probably a good time to mention that my kids are all over the age of 21), some Japanese imported snacks, and sushi for dinner. Before leaving, we enjoyed beverages in their food court from a place called Releaf. The kids loved Mitsuwa, and both agreed this should be our new G-FEST tradition – especially since they also had a bookstore with a Godzilla section.

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All Monsters Attack 2025: Three Godzillas in Chicago!

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Last weekend, I attended my first Chicago All Monsters Attack convention, an offshoot of Days of the Dead. This made perfect sense because I’ve seen fewer days as dead as this one. The show was at the Crowne Plaza in Rosemont (right across the street from my last adventure, Nightmare Weekend), which coincidentally used to host the similarly themed G-FEST (Godzilla Festival). After attending G-FEST for over twenty years, my eldest son, Alex, and I were curious how they’d compare.

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“Godzilla vs Music Box Theater”… with Svengoolie!

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If you were casually perusing this blog, you’d be hard-pressed to decide if my focus was on Godzilla or Svengoolie. I’d argue that, like a Reesus Peanut Butter Cup, they’re also “two great tastes that go great together” which was recently proven when they harmoniously merged like peanut butter and chocolate at Music Box Theater . This historic Chicago site caters to independent, cult, and classic movies as well as the occasional film festival such as Noir City Chicago – something I’ve always wanted to attend. This month they featured a marathon of Godzilla flicks which they affectionately referred to as “Godzilla vs Music Box” and on Monday, June 10th, MeTV‘s national TV horror host, Svengoole, arrived to present Destroy All Monsters (1968) in addition to signing for fans. 

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Mike Bogue’s “Watching the World Die: Nuclear Threat Films of 1980s!”

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The book is set up by year. After a brief introduction, each year from 1980 through 1990 gets a full chapter; with the qualifying films from each year listed. Every film gets a detailed synopsis along with some insightful background information. Bogue’s witty banter and astonishing facts act like the Bonus Features from a Criterion Collection Blu-ray. I can honestly say, I’ve never learned such interesting things about movies I’d never even heard of. I was also shocked to read that The Day After garnered ABC-TV 100 million viewers during its single airing. If ABC earned those kinds of numbers today, they’d quickly get to work on its sequel The Day After the Day After while planning the trilogy’s wrap-up – A Few Days After That. 

I hope you’ll pick up a copy of this book and see how cool it is for yourself. While the subject matter may seem dated, it has become oddly relevant again in today’s world. It’s an engaging book that brings awareness to movies in desperate need of a spotlight. And on that note, I’m gonna go and try hunting down some of those right now…

“Godzilla Minus One” is a Big Plus for 2023 Cinema!

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Last night I attended an early screening of Takashi Yamazaki’s Godzilla Minus One. Despite Godzilla’s recent American films and Monarch series on Apple Plus, TOHO Studios has returned to its signature IP for the first time since the acclaimed Shin Godzilla in 2016. Although I’d heard positive feedback from its Japanese debut nearly a month ago, I was ill-prepared for just how good it actually was.

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