Last weekend, I attended my first Chicago All Monsters Attack convention, an offshoot of Days of the Dead. This made perfect sense because I’ve seen fewer days as dead as this one. The show was at the Crowne Plaza in Rosemont (right across the street from my last adventure, Nightmare Weekend), which coincidentally used to host the similarly themed G-FEST (Godzilla Festival). After attending G-FEST for over twenty years, my eldest son, Alex, and I were curious how they’d compare.
If you were casually perusing this blog, you’d be hard-pressed to decide if my focus was on Godzilla or Svengoolie. I’d argue that, like a Reesus Peanut Butter Cup, they’re also “two great tastes that go great together” which was recently proven when they harmoniously merged like peanut butter and chocolate at Music Box Theater . This historic Chicago site caters to independent, cult, and classic movies as well as the occasional film festival such as Noir City Chicago – something I’ve always wanted to attend. This month they featured a marathon of Godzilla flicks which they affectionately referred to as “Godzilla vs Music Box” and on Monday, June 10th, MeTV‘s national TV horror host, Svengoole, arrived to present Destroy All Monsters (1968) in addition to signing for fans.
The book is set up by year. After a brief introduction, each year from 1980 through 1990 gets a full chapter; with the qualifying films from each year listed. Every film gets a detailed synopsis along with some insightful background information. Bogue’s witty banter and astonishing facts act like the Bonus Features from a Criterion Collection Blu-ray. I can honestly say, I’ve never learned such interesting things about movies I’d never even heard of. I was also shocked to read that The Day After garnered ABC-TV 100 million viewers during its single airing. If ABC earned those kinds of numbers today, they’d quickly get to work on its sequel The Day After the Day After while planning the trilogy’s wrap-up – A Few Days After That.
I hope you’ll pick up a copy of this book and see how cool it is for yourself. While the subject matter may seem dated, it has become oddly relevant again in today’s world. It’s an engaging book that brings awareness to movies in desperate need of a spotlight. And on that note, I’m gonna go and try hunting down some of those right now…
Last night I attended an early screening of Takashi Yamazaki’s Godzilla Minus One. Despite Godzilla’s recent American films and Monarch series on Apple Plus, TOHO Studios has returned to its signature IP for the first time since the acclaimed Shin Godzilla in 2016. Although I’d heard positive feedback from its Japanese debut nearly a month ago, I was ill-prepared for just how good it actually was.
Sunday at G-FEST 28 began with a debate on the much-maligned American Tri-Star Godzilla (1998). So prolific is this dispute among G fans that I covered a panel just like it about five years ago. This one featured moderators who were for and against the film and one split down the middle. I will say, the man defending the movie, Scrooge Jones, made this discussion really stand out. I first saw Jones walking around the dealer room shortly after we arrived and he’s not the kind of person you’re apt to forget. With ’80s rockstar hair, gold-tinted sunglasses, and a leopard print shirt unbuttoned down to his navel, he looked like a cross between Sammy Hagar and Kraven the Hunter. That being said, I can’t help but admire the guy. He’s 100% comfortable with who he is without giving a hoot whether you agree with him or if you’re snickering behind his back. This was never more apparent than last year when he apparently announced at a Godzilla vs King Kong (2021) G-FEST panel that the 1998 Godzilla film was better than Legendary’s 2014 Godzilla. It caused quite a stir on YouTube and, considering the kaiju catastrophe that ensued, his appearance at this symposium was the logical next step.
Day Two of G-FEST – We walked back to the Hyatt and indulged in their $25 breakfast buffet. I never minded doing it when I’ve gone Dutch with friends in the past, but that $76 bill was eye-opening. It wasn’t as good as I’d remembered it either and will have to plan better for the upcoming Flashback Weekend (also at the Hyatt). By the time we’d finished, the convention was in full swing and we took our seats in Ballroom A/B for the first panel which was on a YA Godzilla comic book. None of us were particularly interested in this topic but figured it was the best way to secure good seats for the next panel – actress Yumiko Shaku’s Q&A.
Terror from Beyond the Dave 