Back in my junior high and high school years, I admit to being a pretty serious collector of comic books. This was back in the early ’80s and well before The X-Men, Wolverine, Spider-Man, Batman, and The Avengers would all become modern day pop culture & box office phenomena (as I write this post, Iron Man 3 just pulled in $175M on it’s opening weekend here in the US). Unfortunately, back in my day a guy needed to downplay his love of super heroes lest he receive daily wedgies from the school bully while consistently repelling members of the opposite sex.
I discussed my comic book history back when I reviewed The Avengers movie last year (seen HERE). This year I decided to use the C2E2 (Chicago Comic & Entertainment Expo) occasion to not only cover the Return of Svengoolie (see last post) but also as an opportunity to reconnect with my comic book past.
Ever since THE BLAIR WITCH PROJECT, films featuring “lost footage” have been inundating audiences faster than you can say PARANORMAL ACTIVITY! Is this an effective horror genre or yet another example of Hollywood beating a dead horse? Find out in our next Terror on Tequila podcast dedicated to shedding light on the realities of “reality” films!
I have been a Godzilla fan for as long as I can remember. Weekends were always a treat for me growing up as there was almost always a Godzilla or Gamera movie to be found and I would watch these films over and over again, never growing bored with them. As an adult I still very much enjoy these films, perhaps because they do in fact bring me back to a simpler time in my life. I am a Godzilla completist, which means I must own every film in its best possible form. To date all movies are now available officially on DVD or Blu-Ray, with the exception of THE RETURN OF GODZILLA, aka GODZILLA 1985. The sequel to this film, GODZILLA VS. BIOLLANTE finally just got its official release on Blu-Ray and though I was hesitant with this release, I must say, after viewing it, it is a must have for any Godzilla collection.
This past year or so has featured many amazing blu-ray releases that will make great gifts for that genre fan in your life. This was not an easy list to compile since there are so many great releases to choose from! I also wanted to limit myself to 13 titles, or else this list would’ve just gone on and on. I am a huge fan of the blu-ray format but have noticed that just because something is on blu-ray and says it is in high-definition, does not mean it is actually going to look good! It all depends on the source used for the transfer. When I watch a blu-ray, I want to feel like I am seeing the film for the first time, even if I have seen it multiple times before. This list is of blu-ray releases that did just that! ENJOY!
G-FEST (Godzilla Festival) is the quintessential celebration of Godzilla and all his fellow Kaiju (Japanese Monsters). I’ve been a fan of Godzilla and Gamera ever since I was a kid. Growing up in the 1970′s, it was via shows like Creature Features or The Son of Svengoolie to bring those movies to me. People who did not grow up with a horror host usually have a hard time understanding why some of us adult fans get so weepy with adulation at the mere mention of our childhood ghoul. Well, when you’re a “monster kid,” surrounded by more “normal” kids who want to play baseball or watch The Dukes of Hazard, the person faithfully delivering your favorite films becomes more than just a TV star, he becomes your idol…one of Godzilla proportions. In my case it also helped that I found my host’s corny humor hilarious and his less than stellar singing voice pitch perfect.
G-FEST, the quintessential Godzilla event, is known for bringing rare and wonderful stars of the Japanese Kaiju genre to the unlikely venue of my sweet home, Chicago. This year was no exception with the return of Akira Takarada & also the original Ultraman, Bin Furuya. Before I delve into that, I feel like I should mention that while I have illustrated in previous posts much of what G-FEST has to offer, there is no way that I can truly convey its essence. Yes, like other fan-based conventions, it offers celebrities, dealer rooms, and eager fans. These are incidental, however, to what really makes it unique. For lack of better words, G-FEST has heart!
Without question, the MOST popular facet of G-FEST is the costume thread! Fans who spend the better part of the previous year creating their own Kaiju inspired costumes head to Chicago to each July to partake in one of the most unique contest contests around. This was my ninth G-FEST and it amazes me just how much its grown since I tried my hand at costume making and entered my own kids in the contest years ago.
When I say that it was a dream come true for National Horror Host, Svengoolie, to be a guest at the quintessential Godzilla event, G-FEST, I am really not kidding! I rediscovered that Sven was back on TV in 2003 and went to my first G-FEST in 2004 – wondering for the last 8 years why the two had never joined forces. After all, this was the Horror Host who helped cultivate my love of these films back in his “Son of Svengoolie” days. He’s also family & fan friendly, and there are few other events that capture that spirit like G-FEST does.
I have to confess that my favorite part of G-Fest is checking out the amazing models created by fans and put on display during the weekend. I had tried my hand at it a couple of years too but found out that I am better off sticking to writing as opposed to model-making. This stigma, however, is a personal issue, as ALL ages and skill levels are not only welcomed but encouraged here.
I have been a giant rubber monster fan for as long as I can remember. I have so many fond memories of Saturday and Sunday afternoons watching the latest exploits of Godzilla or Gamera as they fought the newest monster foe bent on destroying the Earth. The one creature feature that always stood out though as the coolest of the Japanese giant monster movies was DESTROY ALL MONSTERS, from 1968. The funny thing is though, that as a kid, I never remembered the plot of the movie; I just remembered the last 15 minutes or so that featured the very best of what Toho had to offer in an over-the-top monster battle.
While it was the National Horror Host, Svengoolie, who is indirectly responsible for bringing the Daves together as friends, it has always been our stance that TERROR FROM BEYOND THE DAVES was really the bastard child of the 2010 Vampira Tribute and SCARY MONSTERS MAGAZINE. In reality, the two are complimentary of each other. Within the pulpy pages of the world’s only “REAL Monsters Magazine,” classic monsters as well as Horror Hosts have always been featured side-by-side. And why shouldn’t they be? For many of us adult Monster kids, it was the classic commercial hosts who introduced us to all the greats be it Godzilla, The Universal Monsters, the films of Hammer Studios, the wonderful “B” movies of Roger Corman, as well as those from directors who were slightly…ahem…less gifted.
The 50′s must have been an amazing time to be a film fan, especially if you liked science fiction. Thanks to pilot Kenneth Arnold’s sighting of nine flying discs on June 24, 1947, the possibility of alien invaders became an all-too-real reality. America had just come out of World War II two years earlier and I am sure that people were still paranoid and tense. Nationwide reports of unidentified flying objects would only add to this paranoia and the film industry took full advantage by playing off of these fears.
The 1950′s featured two main types of science fictions films: monsters resulting from nuclear radiation (such as THEM! and GODZILLA, KING OF THE MONSTERS) and alien invasion films. Both subjects were based in reality so to speak thanks to the bombs dropped on Hiroshima and Nagasaki in August of 1945 (ands also nuclear testing here in the states) as well as the increasing number of UFO sightings world-wide. When you look through the list of titles of movies released during this time, it amazes me at how many of them were genuinely good. With their limited budgets they had to rely on something rarely seen these days in genre films…good storytelling. Because the stories were usually well told, even the hokiest of effects were accepted. Today it’s all about the effects (just look at any film by filmmakers Roland Emmerich and Dean Devlin or George Lucas with the STAR WARS prequels) with good storytelling taking a back seat, or not even appearing in the vehicle.
What I present for you here in this series is alien invasion films of the 50′s. These will include films where the aliens come here as well as films where we go to them. For each film I cover I will include the basic plot as well as my personal review of why it should, or shouldn’t, be seen. This series in no way covers all of the films of the 50′s, just the ones that I feel are important. So here we go…starting with 1950!
The first movie I will discuss is THE FLYING SAUCER, directed by Mikel Conrad. I believe this is the first movie dealing with flying saucer sightings. It is more of a spy thriller than anything else and tends to be slow-paced, thanks to much of the movie concentrating on the beautiful scenery of Alaska. The film starts out by thanking the cooperation of those people in authority, but never mentions who these people are.
The US government wants to capture the flying saucer being seen and use it to transport atomic weapons (and of course the Russians are looking for it as well). Upon hearing that the Russians are looking in Alaska, Mike Trent (played by Mikel Conrad) is sent to investigate with secret service agent Vee Langley (played by Pat Garrison). The couple falls for each other over the course of the film, which is standard for most of these movies. Hans (played by Hantz von Teuffen), the caretaker of the cabin where Mike and Vee are staying, acts suspiciously throughout. Is he a Russian spy or something else?
Mike is skeptical of the UFO’s validity until he sees it for himself. It turns out the flying saucer is not from outer space but from right here on Earth, the creation of an American scientist, Dr. Lawton (played by Roy Engel). Lawton’s assistant, a communist sympathizer, is trying to sell the saucer to the Russians. Eventually the bad guys are caught and the saucer is destroyed, never to be used as a weapon.
Thankfully most of the movies that followed this snooze fest are a lot better. The pacing is horrible, non of the characters are even the least bit likeable, and there just are not enough scenes of the flying saucer (plus the music constantly playing in the background will easily put you to sleep as well, though it sounds amazingly like the theme to STAR TREK). If you are a completist with these films, then check it out. Otherwise avoid it at all costs! The reason it is even mentioned is because it is the first of its kind!
ROCKETSHIP X-M is a fun little film starring the late Lloyd Bridges. A crew of five (four men and one woman) are on the first mission to explore the moon, using Rocketship X-M (or Rocketship Exploration Moon). As they are on their way they have a fuel issue and the ship shuts down. After correcting the problem the ship blasts off into a new direction directly towards Mars! Upon landing, they find evidence of an advanced civilization and encounter some of the violent residents of Mars, who look a lot like cavemen. Apparently the advanced civilization destroyed themselves with nuclear war causing the survivors to turn into savages. Two of the crew are killed before they are able to re-board the ship and escape, heading back to earth. Unfortunately, the Rocketship X-M runs out of fuel in earth’s orbit and the rocket crashes on the earth’s surface. Though the mission is deemed a failure, it is quickly announced that a Rocketship X-M2 will be made to further space exploration.
The crew of Rocketship X-M.
The setting of Mars was filmed at different desert locations and the scenes were tinted red to give it a Mars’ feel (much like in THE ANGRY RED PLANET from 1960). The first half of the film, leading up to the landing on Mars, is kind of slow paced but it does get better once they do land. The “martian” landscape is bleak and is a perfect setting for the tone of the film. You really get a feel that there was once something here, later destroyed by the inhabitants. I also found the scene of Lloyd Bridges and Osa Massen looking out the window of Rocketship X-M as it quickly crashes to the Earth to be somewhat realistic and terrifying. This movie truly set the bar for what was to come throughout the rest of the decade as many scenes from this film were copied for later entries. I do recommend this film.