Upon entering the immense exhibitor hall of C2E2 (Chicago Comics & Entertainment Expo) we made a beeline for our pre-scheduled Insidious: Into the Further 4D Experience. Despite the size of this event and its countless attractions, our destination wasn’t hard to find. Located at the far end of the convention, our destination was two large truck cargo holds adorned with an Insidious: Chapter 3 poster and converted into a thrill ride. The previous Insidious films were both somewhat rides in their own right and, in my opinion, highly satisfying. Their original stories (a novelty in the horror world these days) were chock full of frightening imagery and effective atmosphere making it a personal favorite. When I saw this amazing opportunity to experience these films in a whole knew way, and that it was coming to C2E2, I knew I had to get on board. This was also a great way to gear up for the new film opening in theaters this Friday. The experience being in 4D meant you could experience the films almost as participant, rather than a mere viewer and what horror fan would ever pass up on that?
The Daves would like to once again welcome Brandon Engel to this site with his continuing retrospectives, this time covering Italian zombie films!
Zombies have long captured the attention of horror movie fans worldwide. George A. Romero, director of Night of the Living Dead, may have started modern zombie madness, but Italian directors offered unique twists with their own contributions to the genre.
If you dig seventies exploitation movies, and you haven’t seen many international releases, you’d be wise to scope out vintage Italian zombie films, particularly those directed by guys like Lucio Fulci and Jorge Grau. Here are the top five Italian zombie movies.
The Daves would like to welcome Brandon Engel to our website with his wonderful entry on George Romero!
And even though it was shot in black and white and on a meager budget, Night knocked the socks off the viewing public. It received mixed reviews (with notable critics like Roger Ebert publicly expressing their distaste for the film, however effective it was) and it wound up essentially establishing the framework for the zombie film as we know it today. The film vividly depicted cannibalistic zombie feasts, and not only did Romero have the audacity to have his lead character played by a black actor (Duane Jones), but he also had the nerve to kill him off in the film’s screen. Not bad for a guy who launched his show-biz career on Mister Rogers’ Neighborhood.
More often than not, movies that prominently feature gambling of any kind center on the drama associated with a particular game or locale. Just off the top of my head, I can rattle off Casino, The Gambler, and Rounders as notable examples—and fantastic films, by the way. But in the upcoming movie Poker Night, the card game is used quite differently. Not only that, but it’s at the center of what looks to be one hell of a creepy (albeit familiar) plot.
There are so many movie guides out there today that it is really difficult at times to choose which ones we should buy. They range in quality from very good (like Bill Warren’s “Keep Watching The Skies“) to dreadful (like Rob Craig’s “It Came From 1957“) but at least one thing can be said, movies from the 1950’s are getting more coverage than ever. When it comes to movies, my favorites all came from the 1950’s. No other time period has been more prolific when it comes to monster and science fictions films. Though many of these films are now considered classics, there were many stinkers as well. At least most of these stinkers have their own charm and are still fun to watch even today. The book I am reviewing today, “You Won’t Believe Your Eyes: A Front Row Look at the Sci-Fi/Horror Films of the 1950s“, by Mark Thomas McGee and R.J. Robertson, covers these movies in a way not really seen before, which is why I highly recommend it.
I have been reading about this film for some time now, both in Fangoria and HorrorHound magazines. For the most part the reviews have been favorable and I am always up for a new monster movie. This is not your typical monster on the loose film and to be honest, I wish it was. The movie I am talking about is BENEATH, directed by Larry Fessenden.
Horror aficionados will unanimously agree that the 1980’s were the Golden Age of slasher films. As I’ve discussed before in a retrospective on the original My Bloody Valentine (which you can relive HERE), the holidays were a particularly dangerous time for horny teenagers looking to celebrate these special dates in their own lascivious ways.